叙事的源起和欲望介体的场景化——蒋光慈前期革命小说读解  

Jiang Gnang-ci's Early Revolutionary Novels Interpreted

作　　者：陈红旗[1] 

机构地区：[1]吉林大学文学院,吉林长春130012

出　　处：《海南师范学院学报（社会科学版）》2004年第3期23-28,共6页

摘　　要：蒋光慈在其前期革命小说创作中,实际上已经阐明了革命及其叙事的源起,设定了后期小说中革命者的主要内质,缘此不断地衍生出相关的主题、模式和人物,而叙述中的背景城市——上海,则被作为欲望介体,它不但是作者将主体观念转化为小说文本的中介,也是向世人展示特定时期内革命理念发生作用的表征性历史场景。In his early revolutionary novels, Jiang Guang-ci has virtually clarified the origin for revolution and its narration, thus having determined the essence of revolutionaries in his later novels as well as the relevant topics, modes and characters. Moreover, Shanghai, the background city where the narration is set, serves as the medium of desire, which is not only the medium for the writer to convert his subjective ideas into novels but also the representative historical scene for the functioning of revolutionary principles in specific periods.

关 键 词：蒋光慈 叙事 欲望介体 革命小说 

分 类 号：I206.6[文学—中国文学]