全球化语境下的中国民族叙事——以《红河谷》为例  

Narrative of the Chinese Nationalities in the Context of Globalization ——Analysis of the film Red-River Valley

作　　者：姚新勇[1] 毛毳[1] 

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《暨南学报（哲学社会科学版）》2004年第4期80-86,共7页Jinan Journal(Philosophy and Social Sciences)

基　　金：国家社科基金项目"转型期中国文学与边缘区域及少数民族文化关系研究"(批准号:04BZW050)。

摘　　要：民族主义是当下重要的社会思潮,也是叙事作品中的重要主题。通过对电影《红河谷》的具体个案分析,探讨分析当下全球化境遇中,汉族与少数民族、中国与西方两个层次的民族意识在叙事中的表现,尝试揭示在历史、民族与国家的复杂关系中,中国民族言说多层混淆的矛盾性,以及中国文学的多族群文化结构特性。Nationalism is ones of the important social thought in the contemporary era, and also the important theme in the narrative. Through the case study of Red River Valley, a movie back in the 90s, this paper attempts to analyze the narrative strategies for the representation of national consciousness in the context of globalization, a consciousness formed on two different levels i.e., through the interaction between Han nationality and other Chinese minorities, and the interaction between China and West. It then aims to reveal the contradiction result from this multi-levelness in Chinese national articulation and to explore the structurality of multi-ethnicity in Chinese literature.

关 键 词：全球化 民族文学 电影叙事 红河谷 

分 类 号：I206.7[文学—中国文学]