在困顿与漂流的途中——论郭沫若前期小说创作中的漂泊者形象  

On the Image of Wanderers in Guo Mo-ruo' s Early Literary Works

作　　者：王青[1] 

机构地区：[1]西南师范大学文学院,重庆北碚400715

出　　处：《海南大学学报（人文社会科学版）》2004年第2期156-159,共4页Journal of Hainan University （Humanities & Social Sciences）

摘　　要：漂泊流浪是人类的一种精神文化现象,也是现代人的一种生命体验。“五四”时期,时代的 剧变带来了精神上的孤独、寂寞和隔膜感,漂泊流浪遂成为令人瞩目的文学主题。时代氛围的濡染和个 体的漂泊经历造就了郭沫若前期小说创作中的漂泊审美特质。Wandering is not only a spiritual and cultural phenomenon, but also kind of life experience. During the May 4th Movement, wandering turned to be a popular literary topic for writers including Guo Mo-ruo. The latter's own experience of wandering due to radical social changes of the time and consequent personal sufferings further deepens his strong sense of being a vagrant. The wanderers in his novels share the distinctive features of being poor but upright, discontented but strong-willed. Departing, returning and departing again constitute their marked behavioral pattern. The wanderers, who show a very positive attitude to life, virtually display the writer's vivid intention.

关 键 词：漂泊 回归 审美特质 行为模式 

分 类 号：I207.65[文学—中国文学]