德波的景观拜物教批判及其现实启示  

Debord’s Critique of Spectacle Fetishism and Its Realistic Enlightenment

作　　者：高若茗 

机构地区：[1]扬州大学社会发展学院,江苏 扬州

出　　处：《哲学进展》2024年第4期658-664,共7页Advances in Philosophy

摘　　要：居伊·德波在《景观社会》一书中对当代资本主义新进展下的经济现象做出了深刻的剖析,认为马克思关于物质生产方式的见解已成为过时之语,进而将马克思用以抨击资本主义社会的有力武器——商品拜物教批判发展为景观拜物教批判。通过对该理论转变过程、景观的内涵、景观拜物教的发生原因和关键性内核进行考察,德波对于景观拜物教——这一商品拓殖的进阶形态的批判性态度彰显出来。他的分析与批判拓宽了马克思的商品拜物教的理论宽度,在警示我们以非教条的态度对待传统理论、秉持历史唯物主义的方法论自觉的同时,对于现代社会也具有意蕴丰富的启示意义。In the book The Society of the Spectacle, Guy Debord provides an insightful analysis of the economic phenomena under the new advances of contemporary capitalism, arguing that Marx’s insights on the material mode of production have become anachronistic and develops the critique of commodity fetishism, which is a powerful weapon against capitalist society, into the critique of spectacle fetishism. By examining this process of theoretical transformation, the connotation of “spectacle”, and the causes and critical kernel of spectacle fetishism, Debord’s critical attitude towards spectacle fetishism, the advanced form of commodity proliferation, becomes apparent. His analyses and critiques not only expand the theoretical breadth of Marx’s commodity fetishism, warning us to hold a non-dogmatic attitude towards traditional theories as well as upholding the methodological self-awareness of historical materialism, but also provide realistic enlightenment for modern society.

关 键 词：居伊·德波 《景观社会》 景观拜物教 现实启示 

分 类 号：A81[哲学宗教—马克思主义哲学]