英国脱欧进程中的遗产电影研究(2013~2019)  

A Study of Heritage Films in the Process of Brexit (2013~2019)

作　　者：石宇宸 陈素宝 

机构地区：[1]中国艺术研究院,北京 [2]厦门第六中学,福建 厦门

出　　处：《艺术研究快报》2022年第3期131-136,共6页Art Research Letters

摘　　要：“遗产电影”即以“二战”前英国的历史、民俗、符号,以及意识形态为主要观照对象和结构性要素的电影。英国脱欧进程中,有一大批遗产电影集中上映。作为承载了文化记忆的运动影像,它们既指涉着现代性的乡愁,还成为了探讨现当代议题的异托邦。不仅如此,创作者在进行内容生产时,也有意识、无意识地使其发挥了英国国家形象叙事的重要功能。此外,如何进一步同欧洲,乃至全球重建平等、积极的对话机制,也是遗产电影的创作者积极展开讨论的问题之一。“Heritage Films” are films that focus on the history, folklore, symbols and ideology of pre-World War II Britain as their main objects and structural elements, and in a broad sense, they cover most British period films. During the process of Britain’s exit from the European Union, a large number of heritage films were released. As moving images carrying cultural memories, they refer to the nostalgia of modernity, but also become a heterotopia for exploring contemporary issues. Not only that, the creators have consciously and unconsciously made them play an important function in the narrative of the British national image when producing content. Moreover, how to further re-establish an equal and active dialogue mechanism with Europe and the world is one of the issues that the creators of heritage films have actively discussed.

关 键 词：英国电影 遗产电影 怀旧叙事 国家形象 

分 类 号：J90[艺术—电影电视艺术]