谁才是真正的敌人?——鲍德里亚媒介批判理论视阈下的《全网公敌》  

Who Is the True Enemy?—From the Perspective of Baudrillard’s Media Criticism Theory: Hated in the Nation

作　　者：刘月晗 

机构地区：[1]重庆邮电大学传媒艺术学院,重庆

出　　处：《艺术研究快报》2023年第4期367-371,共5页Art Research Letters

摘　　要：当代社会被鲍德里亚称为消费社会,但随着资本主义和大众传媒的发展,消费社会的生活越来越具有符号化的特征。消费不再意味着简单的物质交换,而是通过消费媒介建构的符号影像来获得各自的认同,使其成为社会地位、名誉和身份的象征。本文用鲍德里亚的媒介批判理论对黑镜《全网公敌》进行解读,阐释在大众媒介及虚拟现实渗入生活各角落的当代社会,大众媒介是如何通过控制、利用人们的情绪,进而控制社会,最终导致悲剧的发生,并对数字媒介技术的异化进行批判。Contemporary society is referred to as a consumer society by Baudrillard, but with the development of capitalism and mass media, the life of a consumer society has become increasingly symbolic. Consumption no longer means simple material exchange, but rather obtains individual identifica-tion through symbolic images constructed through consumption media, making them symbols of social status, reputation, and identity. This article uses Baudrillard’s media criticism theory to in-terpret Black Mirror’s Hated in the Nation, explaining how in contemporary society where mass media and virtual reality permeate every corner of life, mass media controls and utilizes people’s emotions to ultimately lead to tragedies, and criticizes the alienation of digital media technology.

关 键 词：鲍德里亚 媒介批判 拟像 超真实 内爆 

分 类 号：G20[文化科学—传播学]