晨晓的绘画特点与创作成就——以《新富春山居图》为例  

Chen Xiao’s Painting Characteristics and Creative Achievements —Taking the “New Fuchun Mountain Dwelling Map” as an Example

作　　者：朱婉菁 邝慧仪 

机构地区：[1]浙江农林大学暨阳学院,浙江 绍兴

出　　处：《艺术研究快报》2024年第1期12-22,共11页Art Research Letters

摘　　要：新西兰华裔艺术家晨晓以其原创的晨氏创作语言回归中国,他以大胆跳跃的色彩,西方表现主义的创作形式,以及其中交织的中国传统文人画的精神绘出中国故事,传递中国文化精神。本文将以晨晓为亚运会创作的作品《新富春山居图》为中心,对晨晓的创作技巧与理念进行分析。晨晓多元化审美下所创作的《新富春山居图》,对于向内凝聚海外中华儿女,向外传递中国文化精神具有重要作用。New Zealand Chinese artist Chen Xiao returns to China with his original Chen’s creative language. He draws Chinese stories with bold colors, Western expressionism, and the spirit of Chinese traditional literati painting interwoven among them, conveying the spirit of Chinese culture. This article will focus on the work “New Fuchun Mountain Residence” created by Chenxiao for the Asian Games, to analyze the creative skills and ideas of Chenxiao. “New Fuchun Mountain Residence Map” created by Chenxiao under the diversified aesthetics plays an important role in uniting overseas Chinese sons and daughters and transmitting the spirit of Chinese culture to the outside world.

关 键 词：晨晓 晨氏创作语言 新富春山居图 色彩 

分 类 号：J20[艺术—美术]