新世纪中国电视女性角色的“集合身份”——近十五年来白玉兰“最佳女演员”奖项获得饰演女性角色的伸缩与尝试  

The “Collective Identity” of Female Characters in Chinese TV in the New Century—The “Best Actress” Award of Magnolia in the Past 15 Years Has Won the Expansion and Attempt of Playing Female Characters

作　　者：寇政文 

机构地区：[1]爱丁堡大学文学语言与文化学院,英国 爱丁堡

出　　处：《艺术研究快报》2024年第3期138-142,共5页Art Research Letters

摘　　要：本篇论文关注近十五年来白玉兰“最佳女演员”奖项获得者饰演女性角色的伸缩与尝试,利用“集合身份”这一概念,选取《新结婚时代》《我的前半生》《芈月传》《辣妈正传》和《三十而已》五部剧集中的女性角色,讨论消费文化下的女性影视角色如何一步步获取时代特征,实现人物内在丰满,以及影视从业者如何借用影视影响力引导社会关注女性问题。This paper focuses on the expansion and attempts of magnolia “Best Actress” award winners to play female roles in the past 15 years. Using the concept of “collective identity”, this paper selects the female roles in five episodes of New Marriage Era, The First Half of My Life, Legend of Miyue, Hot Mama and Thirty. This paper discusses how the female film and television roles in the consumer culture acquire the characteristics of The Times step by step, realize the inner fullness of the characters, and how the film and television practitioners guide the society to pay attention to women’s issues by virtue of the influence of film and television.

关 键 词：白玉兰奖 女性问题 影视创作 消费文化 

分 类 号：K82[历史地理—历史学]