新时代现实主义电视剧的“莎士比亚化”创作特征分析  

An Analysis of the Creative Characteristics of “Shakespearean” in Realistic TV Plays in the New Era

作　　者：王梓儒 

机构地区：[1]重庆邮电大学传媒艺术学院,重庆

出　　处：《艺术研究快报》2024年第3期237-244,共8页Art Research Letters

摘　　要：近年来优秀的现实主义电视剧通过刻画真实的人物和环境,反映社会现实和时代变迁而受到广大人民群众的喜爱。对新时代现实主义电视剧的创作特征加以剖析,发现其与“莎士比亚化”的创作特征有高度的一致性,都是在“福斯泰夫式”背景下展现典型化的人物和真实化的环境,以及用生动丰富的叙事情节来叩响时代之声。这些创作特征充分体现了新时代马克思主义文艺的要求,为现实主义电视剧在新时代的繁荣发展奠定了基础。在未来应更加深入地挖掘人民群众的需求,以期让艺术作品更加贴近时代潮流,更加符合人民的审美和情感需求。In recent years, excellent realistic TV dramas have been popular among the masses by depicting real characters and environments, reflecting social reality and times changes. By analyzing the creative characteristics of realism TV plays in the new era, it is found that it has a high degree of consistency with the creative characteristics of “Shakespeare”, both of which show typical characters and the real environment under the background of “Falstaff”, and use vivid and rich narrative plots to echo the voice of The Times. These creative features fully reflect the requirements of Marxist literature and art in the new era, and lay the foundation for the prosperity and development of realistic TV plays in the new era. In the future, the needs of the people should be explored more deeply, in order to make artworks more close to the trend of The Times, and more in line with the aesthetic and emotional needs of the people.

关 键 词：莎士比亚化 马克思主义文艺理论 现实主义电视剧 创作特征 

分 类 号：I20[文学—中国文学]