科技幻梦与逻辑世界——比较赛博朋克电影的两大叙述类型  

Technological Fantasy and Logical World—A Comparative Study of the Two Narrative Types of Cyberpunk Movies

作　　者：李馨 

机构地区：[1]南京艺术学院戏剧与影视学院,江苏 南京

出　　处：《艺术研究快报》2024年第4期303-307,共5页Art Research Letters

摘　　要：本文探讨了赛博朋克电影两大叙述类型——科技幻梦与逻辑世界的差异与特点。通过对经典赛博朋克影片《银翼杀手》与《少数派报告》的对比分析,揭示了梦境叙事与阵法叙事在情节构建、人物塑造及科技设置等方面的不同美学表达。前者以反结构主义手法构建出充满情感与哲学深思的科技幻梦,后者则运用结构主义叙事观展现严密的逻辑与权力系统的运作。文章还探讨了心理型与功能型人物、软设置与硬设置在两种叙述类型中的不同应用与效果,为理解赛博朋克电影和艺术史观方面提供了新的视角。This article explores the differences and characteristics of the two narrative types of cyberpunk movies: technological fantasy and logical world. Through a comparative analysis of the classic cyberpunk movies Blade Runner and Minority Report, this article reveals the different aesthetic expressions of dream narrative and battlefield narrative in terms of plot construction, characterization, and technological settings. The former uses anti-structuralist techniques to construct a technological fantasy full of emotion and philosophical reflection, while the latter uses structuralist narrative perspectives to show the operation of a rigorous logic and power system. The article also discusses the different applications and effects of psychological and functional characters, soft and hard settings in the two narrative types, providing a new perspective for understanding cyberpunk movies and art historical perspectives.

关 键 词：赛博朋克电影 叙述类型 审美趣味 

分 类 号：J90[艺术—电影电视艺术]