中国文艺美学视域下“释家人物形象”研究——以汪曾祺《受戒》为例  

Research on the “Character Image of the Buddhism” from the Perspective of Chinese Literary Aesthetics —Taking Wang Zengqi’s “The Love Story of a Young Monk” as an Example

作　　者：时颖 高宇皓 

机构地区：[1]新疆师范大学政法学院,新疆 乌鲁木齐

出　　处：《艺术研究快报》2025年第1期1-7,共7页Art Research Letters

摘　　要：释家人物形象及其文化因素常出现在文艺作品中,释家人物本身有特定的含义和象征,但在相关文艺作品中阐释着不同的意义、发挥着独特的作用。本文以《受戒》为例,列举其中的释家文化因素,研究小说的创作特点和所呈现的释家人物特点,感受其独特的审美表达,进一步探究在文学艺术中释家人物形象的美学运用。The image of the Buddhist characters and their cultural factors often appear in literary and artistic works. The Buddhist characters themselves have specific meanings and symbols, but they explain different meanings and play a unique role in relevant literary and artistic works. This article takes “The Love Story of a Young Monk” as an example, lists the cultural factors of the Buddhism, studies the creative characteristics of the novel and the characteristics of the Buddhist characters presented, feels its unique aesthetic expression, and further explores the aesthetic application of the Buddhist character image in literature and art.

关 键 词：文艺美学 释家 汪曾祺 《受戒》 

分 类 号：B94[哲学宗教—宗教学]