穿越时间的自我寻觅:从萨特存在主义视角看《无姓之人》  

Self-Search through Time: Interpretation of the “Mr. Nobody” from the Perspective of Sartre’s Existentialism

作　　者：邓寒冰 

机构地区：[1]重庆邮电大学传媒艺术学院,重庆

出　　处：《艺术研究快报》2025年第1期13-18,共6页Art Research Letters

摘　　要：由雅克·范·多梅尔导演的电影《无姓之人》,被比利时媒体形容为“比利时影史上最疯狂的电影”,展现了导演对于科幻、爱情和人生哲学的独特理解和创新表达。其中,主人公经历了数次的自我选择,在不断前进又回溯的经历中始终探寻自我生命的意义。本文采用萨特存在主义哲学观点作为理论工具,探讨影片如何通过复杂的叙事结构和人物设定展现人类存在的困境与挣扎,展现电影艺术与哲学思想之间的互动,以及这种互动如何促进我们对生命意义和个人责任的理解。The film “Mr. Nobody” directed by Jaco van Dormael is described by the Belgian media as “the craziest film in the history of Belgian cinema”, showing the director’s unique understanding and innovative expression of science fiction, love and philosophy of life. Among them, the protagonist has experienced several self-choices and has always explored the meaning of his own life in the experience of constantly moving forward and going back. This article adopts Sartre’s existentialism philosophical view as a theoretical tool to explore how the film shows the dilemma and struggle of human existence through complex narrative structure and character setting, shows the interaction between film art and philosophical thought, and how this interaction promotes our understanding of the meaning of life and personal responsibility.

关 键 词：电影 《无姓之人》 存在主义 

分 类 号：J90[艺术—电影电视艺术]