弗洛伊德精神分析学视域下的电影《无姓之人》  

The Movie “Mr. Nobody” from the Perspective of Freudian Psychoanalysis

作　　者：张书源 

机构地区：[1]重庆邮电大学传媒艺术学院,重庆

出　　处：《艺术研究快报》2025年第1期38-42,共5页Art Research Letters

摘　　要：电影《无姓之人》讲述了主人公尼莫在想象中,通过不同的选择而导致的各种人生轨迹。精神分析学和电影艺术的交织由来已久,精神分析学说对于梦的解析、潜意识领域的分析及人格结构的阐释,成为电影创作的重要理论来源。本文试图通过弗洛伊德的精神分析学主要理论来对该片进行分析,探寻其中存在的理论依据。The movie “Mr. Nobody” tells the story of the protagonist Nemo’s various life trajectories through different choices in his imagination. The interweaving of psychoanalysis and film art has a long history, and psychoanalytic theory has become an important theoretical source for film creation in terms of dream analysis, subconscious analysis, and interpretation of personality structure. This article attempts to analyze the film through Freud’s main theories of psychoanalysis and explore the theoretical basis for its existence.

关 键 词：《无姓之人》 梦的解析 潜意识 人格结构 

分 类 号：J90[艺术—电影电视艺术]