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机构地区:[1]重庆大学美视电影学院,重庆 [2]吉林大学文学院,吉林 长春
出 处:《新闻传播科学》2023年第4期768-774,共7页Journalism and Communications
摘 要:黑色喜剧作为喜剧片的一个流变形式,在本质上与喜剧相同,以产生“笑”的效果为特征。北欧的黑色喜剧又与其他地区有所不同,本文以北欧五国之一的“丹麦黑色喜剧”为主要研究对象,首先探究了丹麦黑色喜剧的源起与成因,丹麦黑色喜剧是在“北欧黑色”的语境下发展起来的,犯罪小说的强势崛起带动了黑色元素在影像中的展现,使得丹麦黑色喜剧常居国内票房榜首。天独厚的气候条件、消费主义的阴霾与政治批判的需要,是丹麦的黑色喜剧出现的最主要原因。其次论述了丹麦黑色喜剧的具体表现,从形式、内容与表达意涵三个层面进行了分析。最后,从“边缘人物”、“兄弟喜剧”与“暴力冲突”三方面探究了托马斯•延森的黑色喜剧的特点。探究北欧喜剧,对于我国的影视创作与传播也有着深刻的启示,丹麦黑色喜剧与托马斯•延森的“出圈”,激励着我们中国的影视制作者们要更加关注全球问题,在保持自己的风格的基础上加上创新元素,让中国电影真正走出国门,走向世界。As a variation of comedy, black comedy is essentially the same as comedy, characterized by the effect of “laughter”. Nordic black comedy is different from other regions. This paper takes “Danish black comedy”, one of the five Nordic countries, as the main object of study, and firstly explores the origin and causes of Danish black comedy, which is developed under the context of “Nordic black”. Danish black comedy is developed in the context of “Nordic black”, and the strong rise of crime novels has driven the display of black elements in images, which makes Danish black comedy often top the domestic box office. The unique weather conditions, the haze of consumerism and the need for political criticism are the main reasons for the emergence of Danish black comedy. Secondly, the specific performance of Danish black comedy is discussed, and analyzed from the three levels of form, content and meaning. Finally, it explores the characteristics of Thomas Jensen’s black comedy from the aspects of “marginal characters”, “brotherly comedy” and “violent conflict”. The exploration of Nordic comedy also has profound inspiration for China’s film and television creation and dissemination. The Danish black comedy and Thomas Jensen’s “Out of the Circle” inspire our Chinese film and television producers to pay more attention to global issues, and add innovative elements on the basis of maintaining their own styles, so as to let Chinese films really go out of the country and into the world.
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