概念隐喻理论视角下《死者》中的色彩隐喻研究  

A Study on Colour Metaphor in The Dead from the Perspective of Conceptual Metaphor Theory

作　　者：李鋆 蒋敏[1] 

机构地区：[1]东华大学外语学院,上海

出　　处：《现代语言学》2022年第8期1606-1611,共6页Modern Linguistics

摘　　要：色彩是社会生活中的重要元素。在文学作品中,色彩除了其描述作用外,还具备丰富的隐喻意义,对主题呈现有着一定作用,色彩隐喻也因此成为学者们的焦点之一。本文以莱考夫和约翰逊的概念隐喻理论为理论依据,对乔伊斯《死者》一文中的色彩隐喻进行分析与研究,探讨色彩作为源域对目标域的映射关系以及色彩隐喻对文学主题的呈现所起的作用。Colour is an important element in social life. In literature, colour has its descriptive purpose as well as rich metaphorical meaning, which plays a central role in presentation of the theme. Therefore, colour metaphor has become the focus of scholars. Based on Lakoff and Johnson’s Conceptual Metaphor Theory, this paper analyzes and explores the colour metaphor in Joyce’s The Dead, and discussed the mapping between colour as the source domain and target domain as well as the function of colour metaphor in the presentation of literary themes.

关 键 词：色彩隐喻 概念隐喻 《都柏林人》 《死者》 乔伊斯 

分 类 号：H31[语言文字—英语]