“山鬼”与“泥鳅”之辨——梁晓声《人世间》叙事语言分析之女性观及其显化形式  

—The Female View and Its Manifestation Form in the Narrative Language Analysis of Liang Xiaosheng’s A Lifelong Journey

作　　者：徐嘉祚 

机构地区：[1]天津师范大学教育学部,天津

出　　处：《现代语言学》2023年第10期4803-4811,共9页Modern Linguistics

摘　　要：在个人女性观影响下,梁晓声在代表作《人世间》里表达了个人理想中有关完美女性的评判标准,描绘了有知识、有大爱、有韧性、有善根的理想女性世界。从叙事模式来看,梁晓声热衷于以时代、婚姻、性格、结局、职业、阶层等叙述模式作为塑造女性角色的武器,作品中如“山鬼”般自由浪漫的理想女性周蓉与如“泥鳅”般不断向上攀爬的非理想女性曾珊的人物形象便是这些叙述模式的产物。此外,在其女性角色的塑造路径和形成方式中可发现,梁晓声塑造的理想女性世界中依然不乏男凝视角。Influenced by a personal feminine, Liang Xiaosheng articulates his criteria for evaluating the perfect woman in his seminal work A Lifelong Journey, depicting an ideal female world characterized by knowledge, profound love, resilience, and a strong moral narrative standpoint. From the point of view of narrative mode, Liang Xiaosheng is keen to use the narrative mode of times, marriage, character, ending, occupation, class and so on as a weapon to shape female roles. The characters Zhou Rong and Zeng Shan exemplify these narrative modes as they respectively embody the ideal woman who is free-spirited and romantic like a “mountain ghost”, and the non-ideal woman who relentlessly strives for upward mobility like a “loach”. Furthermore, the portrayal of these female roles provides evidence of still prevalent in Liang Xiaosheng’s depiction of an ideal female world.

关 键 词：梁晓声 《人世间》 叙事语言 女性角色塑造 女性观 

分 类 号：I20[文学—中国文学]