从概念隐喻和概念转喻看音乐类术语的语义演变  

The Semantic Evolution of Musical Terms from Conceptual Metaphors and Conceptual Metonymies

作　　者：韩洪朔 

机构地区：[1]江苏师范大学,文学院,江苏 徐州

出　　处：《现代语言学》2024年第7期156-164,共9页Modern Linguistics

摘　　要：音乐类术语的研究是专名研究中不容忽视的内容,同时又是术语研究的重要部分。在普通话中有相当一部分音乐类术语发生了语义演变,其演变的原因是多方面的。本文通过列举《现代汉语词典》(第7版)和《音乐术语对照词典》中包含某些特定音乐要素的词语进行比对、概括、分类,再从概念隐喻和概念转喻这两个认知操作角度分析这些音乐类术语在社会化过程中基于相似性和相关性的语义变化,从而归纳出其认知机制和演变动因。The study of music terminology is not only the content that cannot be ignored in the study of proper name, but also an important part of the study of terminology. There are many reasons for the semantic evolution of a considerable number of music terms in Mandarin. By enumerating the words containing certain musical elements in the Modern Chinese Dictionary (7th edition) and the Comparison Dictionary of Music Terms, this paper compares, summarizes and classifies them, and then analyzes the semantic changes of these musical terms in the socialization process based on similarity and relevance from the perspective of conceptual metaphors and conceptual metonymies. The cognitive mechanism and evolution motivation are thereby summarized.

关 键 词：音乐类术语 词义社会化 概念隐喻 概念转喻 

分 类 号：H31[语言文字—英语]