凝视下的反凝视——从艺术视角看玛丽·卡萨特的女性觉醒  

The Counter Gaze under the Gaze—Mary Cassatt’s Feminine Awakening from an Artistic Perspective

作　　者：臧倩 杜兵 

机构地区：[1]云南大学昌新国际艺术学院,昆明 云南

出　　处：《历史学研究》2023年第2期120-124,共5页Open Journal of Historical Studies

摘　　要：玛丽·卡萨特出生于十九世纪中期的美国富足家庭,社会上正涌动着女性独立的浪潮,女性主义被提起,长时间处于被凝视状态的女性开始觉醒,开始进行女性艺术创造,以反凝视的方式回击,玛丽·卡萨特正是其中一个,面对男性的凝视,她依旧坚持进行自己的艺术创作。文章将从其艺术积累、决心以及作品中流露的女性宏义等方面,针对其反凝视的觉醒进行相应的叙述研究。Mary Cassatt was born in an wealthy American family in the mid-nineteenth century, when a wave of female independence was surging through society and feminism was being raised. Women who had been gazed at for so long began to awaken to female artistic creation and to fight back with a counter-glare, and Mary Cassatt was one of them. In the face of the male gaze, she continues to pursue her art. The essay will be a narrative study of the awakening of the anti-gaze in terms of its artistic accumulation, its determination and the feminine grandeur that emanates from its works.

关 键 词：凝视与反凝视 玛丽·卡萨特 女性觉醒 女性艺术 女性意识 

分 类 号：I26[文学—中国文学]