《聊斋志异》中女性意象分析  

Female Images Analysis of Strange Tales from a Lonely Studio

作　　者：李曼 李燕 

机构地区：[1]天津外国语大学国际传媒学院,天津

出　　处：《世界文学研究》2020年第2期40-45,共6页World Literature Studies

摘　　要：《聊斋志异》是文言短篇小说中以男性视角讴歌女性的经典著作之一。这部作品中女性角色众多且性格迥异,她们不再作为男性的私有物或附属品,而是在男权社会中作为女儿、妻子、母亲呈现出超前先进的女性意识。本文从女儿性、妻性、母性视角探究蒲松龄笔下五位典型女性人物形象,分析她们在家庭里扮演的角色。作为女性,她们具有独立的意志和思想,这既是作者潜意识完美女性的投射,也展现了作者在男权社会中前卫的女性意识,对当下女性所承担的社会角色具有借鉴意义。Strange Tales from a Lonely Studio is one of the brilliant classical Chinese short stories in which females are described from the male perspective. The work presents diverse images of females who are not male private property or accessories any longer. As daughters, wives and mothers, they express the strong sense of feminism in a patriarchal society. The paper explores the images of five typical females from daughterhood, wifehood and motherhood based on Pu Songling’s description. These independent and avant-garde female images are the projection of Pu’s subconscious, which illustrates his advanced thought and reveals the social value of female.

关 键 词：妻性 女儿性 母性 女性意识 

分 类 号：I20[文学—中国文学]