同为逃亡者与牺牲者——琼斯皇与仇虎之比较  

Both as Fugitives and Victims—A Comparison between Emperor Jones and Qiu Hu

作　　者：刘艺华 

机构地区：[1]安徽师范大学文学院,安徽 芜湖

出　　处：《世界文学研究》2022年第4期584-589,共6页World Literature Studies

摘　　要：尤金•奥尼尔的戏剧《琼斯皇》以及曹禺的戏剧《原野》都是运用了表现主义手法的经典作品。而除了表现手法上的相似,仇虎与琼斯皇这两个人物同样具有可比之处。本文的第一部分将简单介绍《琼斯皇》与《原野》两剧的故事情节并概述两个剧本及其作者之间的相互关系,第二部分则是针对两个人物同为逃亡者形象的对比,第三部分会进一步针对两个人物的牺牲者形象进行对比。Eugene O’Neill’s play Emperor Jones and Cao Yu’s play The Field are both classic works using ex-pressionist techniques. In addition to the similarity in expression, Qiu Hu and Emperor Jones are also comparable. The first part of this article will briefly introduce the plot of Emperor Jones and The Field and outline the relationship between the two plays and their authors. The second part is to compare the two characters who are both fugitives. The third part will further compare the two characters’ victim images.

关 键 词：仇虎 琼斯皇 逃亡者 牺牲者 

分 类 号：I20[文学—中国文学]