基于列斐伏尔空间理论的《肖申克的救赎》解析  

An Analysis of The Shawshank Redemption Based on Lefebvre’s Spatial Theory

作　　者：刘虹缨 王艳文[1] 

机构地区：[1]燕山大学外国语学院,河北 秦皇岛

出　　处：《世界文学研究》2023年第2期103-108,共6页World Literature Studies

摘　　要：《肖申克的救赎》创作于1982年,是美国作家斯蒂芬•埃德温•金著名的中篇小说。小说以叙事的形式,讲述了在人性泯灭的肖申克监狱中,主人公安迪虽饱受磨难仍怀揣希望,坚守自我,凭借着不懈的努力最终获得自由,实现自我救赎的过程。作者通过安迪的自我救赎之路向大众揭露了人性的善与恶,展示了制度化下的大众个体如何从肉体到灵魂的自我救赎。文章以列斐伏尔的空间理论为视角,从物理空间、社会空间、精神空间三个方面对斯蒂芬•金的中篇小说《肖申克的救赎》进行全面分析,发掘其空间的深层内涵。The Shawshank Redemption is a famous novel written by American writer Stephen Edwin King in 1982. The novel is a narrative that tells the story of Andy’s suffering in the dark Shawshank prison. Andy lives in such a bad situation, but he is still full of hope, and eventually achieves self-redemption with unremitting efforts. The author reveals the good and evil of human nature to the public through Andy’s self-redemption path, which shows how the institutionalized individual redeems himself from the body to the soul. This paper will analyze The Shawshank Redemption from three aspects: physical space, social space, and spiritual space, taking the perspective of the space theory of Lefebvre, which uncovers the deeper connotation of space in this novel.

关 键 词：《肖申克的救赎》 物理空间 社会空间 精神空间 

分 类 号：I20[文学—中国文学]