拟人化手法在动画角色设计中的运用研究——以《深海》为例  

Research on the Application of Personification Techniques in Animation Character Design: A Case Study of “Deep Sea”

作　　者：吴昆灵 殷俊 

机构地区：[1]江南大学设计学院,江苏 无锡

出　　处：《Design（汉斯）》2023年第3期1942-1949,共8页设计（汉斯）

摘　　要：拟人化手法是指将非人类形象赋予人类的特征和形态,使其更具人性化的表现。在动画角色设计中,拟人化手法使角色造型更具有个性和可爱度,增加观众亲和力,也使角色动作神态更加传神,更能够准确表达角色的情感和心理状态。动画电影《深海》运用拟人化手法设计出了大量优秀的动画角色,本文通过分析动画《深海》的角色设计,论述拟人化手法在动画角色设计中的应用,从造型、动作、表情等方面描述如何用拟人化手法创造出优秀的动画角色。Personification techniques involve the infusion of human traits and forms into non-human entities, imbuing them with a more humanized demeanor. In the realm of animation character design, these techniques bestow characters with distinct personality traits and an endearing charm, thereby forging a stronger emotional bond with the audience. Moreover, these techniques breathe life into characters’ movements and expressions, endowing them with a captivating authenticity, and facilitating a nuanced portrayal of emotions and psychological states. The animated film, “Deep Sea”, showcases a multitude of exceptional animated characters achieved through the implementation of personification techniques. This paper analyzes the character design in the animation “Deep Sea”, elucidating the application of personification techniques in animation character design. It delves into how these techniques are employed in various aspects such as character forms, movements, and expressions, to create outstanding animated characters.

关 键 词：拟人化 动画角色设计 《深海》 

分 类 号：J95[艺术—电影电视艺术]