符号学视角下羌族羊文化的图像语意应用研究——以莎朗风情主题酒店家具设计为例  

Application of Image Semantics of Qiang Sheep Culture from the Perspective of Semiotics—A Case Study of the Furniture Design of Salang Style Theme Hotel

作　　者：唐雪梅 廖军 韩立 

机构地区：[1]四川现代职业学院智能制造学院,四川 成都

出　　处：《Design（汉斯）》2023年第4期2377-2382,共6页设计（汉斯）

摘　　要：目的:在符号学理论视角下,研究羌族羊文化的家具图像语意,并通过莎朗风情主题酒店的家具造型进行思考,得出符号学理论在家具设计中的重要性。方法:以符号学理论为指导,对羌族羊文化进行分析,得出羊文化的符号以羊角纹为其图像语意。通过符号学中仿像、表号、重构三种图像再造设计方法,阐述莎朗风情主题酒店扶手椅、隔断及床的符号图像语义转化应用。结论:对羌族羊符号进行图像语意分析和设计解析,总结羌族羊角符号在莎朗风情主题酒店家具设计中的图像语意,得出民族传统文化与当代家具设计的创作能够在符号学视角下得到较好的融合。Objective: From the perspective of semiotic theory, this paper studies the image semantics of furniture of Qiang sheep culture, and considers the furniture modeling of Sharon style theme hotel, so as to find out the importance of semiotic theory in furniture design. Methods: The sheep culture of Qiang nationality was analyzed under the guidance of semiotics theory, and it was concluded that the sheep culture symbol took the sheep horn pattern as its image meaning. This paper expounds the semantic transformation of symbols and images of armchairs, partitions and beds in Salang style theme hotel through three methods of image reconstruction design in semiotics: imitation, table number and reconstruction. Conclusion: The image semantic analysis and design analysis of the Qiang sheep symbol are carried out, and the image semantic meaning of the Qiang sheep horn symbol in the furniture design of the Salang style theme hotel is summarized. It is concluded that the creation of traditional national culture and contemporary furniture design can be better integrated from the perspective of semiotics.

关 键 词：符号学 羌族 羊文化 家具设计 

分 类 号：TP3[自动化与计算机技术—计算机科学与技术]