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机构地区:[1]上海工程技术大学艺术设计学院,上海 [2]同济大学上海国际设计创新研究院,上海
出 处:《Design(汉斯)》2023年第4期2962-2968,共7页设计(汉斯)
摘 要:博览会是促进世界经济、政治、文化发展交融的重要窗口。20世纪初正是中国社会激变的时代,社会风潮的涌动,传统与现代在冲突中融合,我国近代博览会正是产生于这样的社会背景下。1929年首届西湖博览会是中国近代历史中具有巨大影响力和大规模参与的综合性博览会,通过展示工业兴盛和文化振兴的态势,反映了当时中国政府为发展和繁荣文化的努力。本文围绕1929年首届西湖博览会建筑展开探讨,研究其对中国本土建筑革新的影响,以及对现代中国建筑文化形成的作用和启示。The exposition is an important window to promote the integration of the world’s economic, political and cultural development. The early 20th century is the era of radical changes in Chinese society, the surge of social trends, tradition and modernity in conflict with the fusion of modernity, China’s modern expositions were born in such a social context. The first West Lake Exposition of 1929 is a comprehensive exposition with great influence and large-scale participation in China’s modern history, through the display of industrial prosperity and cultural revitalization, reflecting the efforts of the Chinese government at that time to develop and prosper culture. It reflected the efforts of the Chinese government at that time to develop and prosper culture by demonstrating the flourishing of industry and the revitalization of culture. This paper focuses on the architecture of the first West Lake Exposition in 1929, examining its influence on the innova-tion of local Chinese architecture, as well as its role and inspiration in the formation of modern Chinese architectural culture.
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