宋代美学思想在当代茶室空间设计中的运用  

The Use of Song Dynasty Aesthetic Thought in Contemporary Tea Room Space Design

作　　者：吴涛 邵晓峰[1] 崔颖 

机构地区：[1]南京林业大学艺术设计学院,江苏 南京 [2]南京邮电大学传媒与艺术学院,江苏 南京

出　　处：《Design（汉斯）》2023年第4期3035-3041,共7页设计（汉斯）

摘　　要：在中国文化的发展的过程中,茶与美学有着密不可分的联系。特别是在宋代,茶文化和美学思想达到了一个高峰。宋代美学,以自然、和谐、简约为核心,不仅影响了家具、绘画、瓷器等方面,更在建筑和室内空间中得到了体现。然而,当代茶室空间设计在追求现代化和功能性的同时,往往忽视了这些传统美学的价值。本文回顾宋代美学和茶室的发展,分析宋代美学思想在当代茶室空间设计的具体运用,包括色彩、材质、陈设和意境等方面。希望能够更好地理解这一历史时期的审美价值,以及如何将这些古老而永恒的美学元素融入到现代生活之中。In the process of the development of Chinese culture, tea and aesthetics are inextricably linked. Especially in the Song Dynasty, tea culture and aesthetic thought reached a peak. Song Dynasty aesthetics, centered on nature, harmony and simplicity, not only influenced furniture, painting, porcelain and other aspects, but also was reflected in architecture and interior space. However, the contemporary design of tea room space often ignores the value of these traditional aesthet-ics while pursuing modernization and functionality. This paper reviews the development of Song Dynasty aesthetics and tea rooms, and analyzes the specific use of Song Dynasty aesthetic ideas in tea room space design, including color, material, furnishings and mood. It is hoped that the aesthetic value of this historical period can be better understood, and how to integrate these ancient and timeless aesthetic elements into modern life.

关 键 词：宋代美学 美学思想 茶室 空间设计 

分 类 号：TU2[建筑科学—建筑设计及理论]