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机构地区:[1]江南大学设计学院,江苏 无锡
出 处:《Design(汉斯)》2023年第4期3355-3364,共10页设计(汉斯)
摘 要:文章以宋代彩塑艺术作为动画角色的创作蓝本,探究其设计语言在动画角色设计中的转化方式,为形成动画角色民族化特色提供参考。首先分析了宋代彩塑艺术与动画角色设计的互通性,再从题材、造型、线条,色彩四个方面出发,提炼出宋代彩塑艺术对动画角色设计的借鉴要素。最后结合当下审美特征,探析其视觉文化符号在动画角色设计中的转化途径,为打造本土化、现代化的动画角色提供了创新思路。宋代彩塑艺术融注了世俗之趣、理性之美、淡雅之韵,为动画角色设计提供了宝贵的借鉴价值。结合现代化的设计语言对其进行创新重构,方能使受众更好地感受传统彩塑艺术之美。This paper takes the Song Dynasty color sculpture art as the creative blueprint of the animation character, explores the transformation of its design language in the animation character design, and provides reference for the formation of the national characteristics of the animation character. Firstly, this paper analyzes the interoperability of Song Dynasty color sculpture art and animation character design, and then extracts the reference elements of Song Dynasty color sculpture art to animation character design from four aspects: subject matter, shape, line and color. Finally, combined with the current aesthetic characteristics, the transformation of visual cultural symbols in animation character design is explored, which provides innovative ideas for creating localized and modern animation characters. The art of color sculpture in Song Dynasty is filled with worldly interest, rational beauty and elegant charm, which provides valuable reference value for animation character design. In combination with modern design language, it can be innovated and reconstructed so that the audience can better feel the beauty of traditional color sculpture art.
分 类 号:K87[历史地理—考古学及博物馆学]
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