青铜器幻想动物纹饰在艺术设计中的应用研究  

Research on the Application of Bronze Fantasy Animal Pattern in Art Design

作　　者：陈天 刘子建[1] 

机构地区：[1]陕西科技大学设计与艺术学院,陕西 西安

出　　处：《Design（汉斯）》2023年第4期3616-3623,共8页设计（汉斯）

摘　　要：纵观青铜器研究过程,其作为商周鼎盛时期的器具代表,以兽面纹、夔龙纹、凤鸟纹三类统称为幻想动物纹饰的装饰纹样最为盛行。本文通过纹饰拓片、文献史料对商周时期青铜器铸造中幻想动物纹饰进行收集整理,探讨幻想动物纹饰的自然崇拜与艺术内涵,对现代艺术设计与青铜器文化的发展具有深远的意义。Throughout the research process of bronze ware, as a representative of the appliances in the prosperous period of the Shang and Zhou Dynasties, the decorative patterns of animal face patterns, Kui dragon patterns, and phoenix bird patterns, collectively referred to as fantasy animal patterns, are the most popular. Through the collection and arrangement of the fanciful animal patterns in the bronze casting of the Shang and Zhou Dynasties through the pattern rubbings and historical documents, this paper discusses the natural worship and artistic connotation of the fanciful animal patterns, which has far-reaching significance for the development of modern art design and bronze culture.

关 键 词：青铜器 幻想动物纹饰 自然崇拜 艺术设计 

分 类 号：K87[历史地理—考古学及博物馆学]