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作 者:初娇娇 Chu Jiaojiao
机构地区:[1]哈尔滨师范大学美术学院
出 处:《中国美学研究》2022年第2期106-119,共14页
基 金:国家社会科学基金一般项目“审美意象创构论”(21BZW005)阶段性成果
摘 要:唐代审美意象时空建构蕴藉着深刻的佛禅心理,体现为唐人在意象创构中将时空进行审美化塑造。佛禅“无住无念”以及“自性虚空”的心理图式在审美意象创构中展现了时、空的诗情拓展,它赋予唐代美学以全新质素,将审美意象时空建构导向了主体心灵与世间万象相融共生的审美境域。从时间上来看,禅宗“无住无念”心理在唐代美学中呈现为心源与直觉的意象时间思维模式。时间在佛禅世界中完全打破了绵延理路,而是转向空观,即在破执中顿悟瞬间永恒的真理。在空间层面,受佛禅“自性虚空”心理影响的唐代意象空间追求博大与超越,文人对审美空间塑造蕴藉着禅意与空灵,走向了心灵自由的诗性场域。在时间与空间心理结构和感知方式基础上形成了“时空一如”的审美境界,将内我与外境浑然合一,展示了唐人独特的宇宙观和意象观。The space-time construction of Aesthetic image in Tang Dynasty implies Buddhist and Zen psychology which is embodied in aesthetic shaping of space-time in the process of the image creation by Tang people.Buddhist and Zen psychological schema of“no dwelling and no thought”with“self void”shows the poetic expansion of time and space in the creation of Aesthetic image,which endows Tang Dynasty aesthetic with a new quality and guides the spacetime construction of Aesthetic image to a harmony and symbiosis aesthetic realm between the soul of subject and the universe.From the perspective of time,the Zen psychology of“no dwelling and no thought”is presented as the image-time thinking mode of heart source and intuition in the Aesthetic of Tang Dynasty.Time in the world of Buddhism and Zen completely breaks the continuous path of reason,but turns to the concept of emptiness,that is realizing the instant eternal truth in the breaking of obsession.At the spatial level,the image space of Tang Dynasty influenced by the“self void”psychology of Buddhism and Zen pursues extensiveness and transcendence.While the literati shapes the aesthetic space with Zen and Ethereal,and finally moves to the poetic field of spiritual freedom.On basis of the psychological structure and perceptual mode of time and space,the aesthetic realm of“space-time integrated”is formed,which integrated the inner self with the outer environment,showing the unique cosmology and image view of Tang people.
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