论中华美学精神的内涵特征及表现方式  

On the Connotation and Expression of Chinese Aesthetic Spirit

作　　者：张利群[1] Zhang Liqun

机构地区：[1]广西师范大学文学院

出　　处：《中国美学研究》2022年第1期133-148,共16页

基　　金：2018年国家社科基金重大项目“改革开放40年文学批评学术史研究”(18ZDA276)阶段性成果“文学批评学术史思想研究”系列论文之一

摘　　要：习近平《讲话》中提出的“中华美学精神”这一重大命题,是其文艺思想的重要组成部分,也是对一脉相承而又继往开来的中国文艺传统及审美传统的思想内涵、价值取向、理想追求、目标指向、作用意义的高度概括与理论升华。中华美学精神以文艺经典、民间文艺、民俗文化、社会生活、人的自身观照作为承载方式及呈现形态,尤其与中国文艺精神相辅相成、共生同构,集中体现在文以载道、以人为本、心物交感、真善美统一、艺术辩证法以及文艺美学等表现方式及特征上,形成中华美学的主体性、创造性、自由性、超越性、批判性精神,更有利于筑牢与夯实中华传统文化及人文精神根基,增强中华民族的文化自觉与文化自信,提供推动当代文艺创新发展及中国特色的文艺美学体系建构的驱动力及精神源泉。In his speech,Xi Jinping proposed that“Chinese aesthetic spirit”is an important part of his literary and artistic thoughts.It is also a high generalization and theoretical sublimation of the ideological connotation,value orientation,ideal pursuit,target orientation and functional significance of the Chinese literary and artistic tradition and aesthetic tradition,which are inherited from one line to the next.The spirit of the Chinese aesthetics in the literature classic,folk art,folk culture,social life,human itself as a way to carry and present form,especially with the spirit of the Chinese literary supplement each other,symbiotic isomorphism,embodied in the text in a way,people-oriented,sympathetic heart,true unity,dialectics of art and aesthetics of literature and art expression and characteristics,formation of Chinese aesthetic subjectivity,creativity,freedom and transcendence,critical spirit,more conducive to build and strengthen the spirit of the Chinese cultural tradition and cultural roots,strengthen the cultural consciousness and cultural confidence of the Chinese nation,provide to accelerate the development of contemporary literary and artistic innovation and driving force of the construction of the aesthetics of literature and art system with Chinese characteristics and spiritual source.

关 键 词：习近平文艺思想 中华美学精神 内涵特征 表现方式 审美风范 

分 类 号：I01[文学—文学理论]