形而上学侦探小说中的自我理解与崇高  

The Self-Understanding and Sublime in Metaphysical Detective Story

作　　者：董旭 Dong Xu

机构地区：[1]华中师范大学文学院

出　　处：《文化研究》2023年第1期28-47,共20页Cultural Studies

基　　金：2022年华中师范大学“研究生教育创新”项目“约翰·福尔斯小说中的对话伦理”(2022CXZZ097)的阶段性成果

摘　　要：在侦探小说当中,侦探对案件的理解与阐释成为决定案情发展和走向的重要一环,也是古典侦探小说和形而上学侦探小说形成差异的重要分野。在形而上学侦探小说中,侦探的自我理解往往是一种“误解”,并轻易陷入自我理解的悖谬。特别是,当侦探的自我理解陷入魔怔之后,会将自己的自我理解强行加诸他人而生成一种同一性的暴力。形而上学侦探小说中的自我理解与崇高有着密切联系,小说中景观与环境所形成的恐惧构成了其崇高感的外在氛围,而侦探无法解谜所陷入的“无限”与“虚空”则构成了其崇高感的内核。In detective stories,the detectives'understanding and interpretation of the murder case become an important part of determining the development and trend of the murder case,and it's also an important distinction between classical detective stories and metaphysical detective stories.In metaphysical detective stories,the detectives'self-understanding is often a misunderstanding and they fall into the paradoxes of self-understanding easily.Especially,when the detectives are crazy about the murder case,they will force their self-understanding on others and generate a kind of violence of identity.The self-understanding in metaphysical detective stories is.closely related to the sublime.The fear formed by landscape and environment in the stories constitutes the external atmosphere of the sublime,while the infinity and the void in which the detectives cannot solve the riddles constitute the core of the sublime.

关 键 词：形而上学侦探小说 自我理解 崇高 

分 类 号：I106.4[文学—世界文学]