“年轻的神”不相信爱情——诗集《预言》与何其芳的精神求索  

“Young God” Does Not Believe in Love——Poem Collection Prophecy and He Qifang’s Spiritual Exploration

作　　者：宋剑华[1] Song Jianhua(School of Literature,Jinan University,Guangzhou Guangdong,510632)

机构地区：[1]暨南大学文学院,广东广州510632

出　　处：《山东师范大学学报（社会科学版）》2022年第4期36-44,共9页Journal of Shandong Normal University(Social Sciences)

基　　金：国家社科基金重点项目“新文学伦理叙事研究”(18AZW021)的阶段性成果

摘　　要：何其芳的诗集《预言》,并不是一部讴歌“爱情”的诗,而是一部以“爱情”为题材的诗。诗人以“爱情”作为一种情感表达的象征符号,生动表现了自己精神世界中的“感性”与“理性”、“现实”与“理想”之间的矛盾纠葛,深刻揭示了青春何其芳与众不同的人生追求。诗集《预言》受道家生命哲学的影响颇深,诗人用诗性的语言和丰富的想象力,“乘桴浮于海”地表达主体自我对于“自然”与“自由”的思考和向往,并试图通过灵魂的自我对话,探寻有限生命的终极意义,进而为我们提供一种可以展开充分联想的艺术空间。“爱情”在诗集《预言》中只不过是一种未来理想的艺术载体,诗人的主观目的是要向读者展示“年轻的神”的“寻道”之旅。诗集《预言》意境之美,具有极高的审美价值;内涵之深,具有展现那一时代知识分子的“苦闷”“彷徨”与“寻找”的思想价值。He Qifang’s poem collection Prophecy is just a“poem”with“love”as the theme rather than a“poem”about“love”.The poet,taking“love”as a symbol of emotional expression,vividly expresses the contradictions between“sensibility”and“rationality”,“reality”and“ideal”in his spiritual world,and profoundly reveals the distinctive life pursuit of the young He Qifang.The poem collection Prophecy is deeply influenced by the Taoist philosophy of life.The poet uses poetic language and rich imagination to express,in one way or the other,his thinking of and yearning for“nature”and“freedom”of the subject self,and tries to explore the ultimate meaning of the limited life through the self-talk of the soul,and provides us with a space that can be fully imagined.In the collection Prophecy,love is nothing but an art carrier for the future ideal.The poet’s subjective purpose is to show the readers the“seeking Taoism”journey of the“young God”.The poem collection is not only of the high aesthetic value in art,but also of the ideological value that makes readers understand the“depression”,“wandering”and“searching”of the intellectuals in that era.

关 键 词：何其芳 《预言》 “年轻的神” 精神求索 

分 类 号：I207.25[文学—中国文学]