从影响研究视角看《古船》对《复活》忏悔意识的接受  

Ancient Ship's Reception of the Confessional Consciousness in Resurrection:From the Perspective of Infuence Research

作　　者：刘佳怡 Liu Jiayi(Sichuan Normal University)

机构地区：[1]四川师范大学

出　　处：《世界文学评论（高教版）》2024年第2期165-168,共4页The World Literature Criticism

摘　　要：张炜在创作《古船》时曾对《复活》中的忏悔意识进行吸收和借鉴,其主要表现为主人公形象的相似上,二者皆为忏悔贵族,都经历了认罪、忏悔、赎罪三个阶段。众多学者局限于传统的影响研究,只证明了《复活》对《古船》创作存在影响,没有意识到张炜作为接受者的主体性地位,而本文从转型后的影响研究出发,认为张炜创造性地对《复活》中的忏悔意识进行改造和重构,其背后的文化过滤机制——现实语境与传统文化发挥了关键作用。Zhang Wei absorbed and borrowed the confessional consciousness in Resurrection when he wrote Ancient Ship,which is mainly manifested in the similarity of the main character's image,both of whom are penitent nobles and both of whorm go through three stages of confession,repentance and atonement.Many scholars confine themselves to traditional influence studies,which only prove the existence of influence of Resurrection on the creation of Ancient Ship without realizing Zhang Wei's subjectivity as a recipient,while this paper,starting from the post-transformation influence studies,argues that the cultural filtering mechanism behind Zhang Wei's creative transformation and reconstruction of the penitential consciousness in Resurrection-realistic context and traditional culture play a key role.

关 键 词：《复活》 忏悔意识 《古船》 影响研究 

分 类 号：I207.425[文学—中国文学]