共识与差异:当代批判理论中审美共同体的本体性问题  

Consensus and Difference:the Ontology of Aesthetic Community in Contemporary Critical Theory

作　　者：漆飞[1] Fei QI(Lanzhou University)

机构地区：[1]兰州大学文学院

出　　处：《马克思主义美学研究》2023年第2期124-141,480-481,共20页Research on Marxist Aesthetics

基　　金：中央高校基本科研业务费专项资金资助定向探索项目“当代批判理论的审美共同体问题研究”(22lzujbkydx026);甘肃省社科规划项目“甘肃黄河国家文化公园与文化共同体建构研究”(2022QN002)阶段性成果

摘　　要：共识与差异是审美共同体的本体性问题。当代批判理论接续和超越早期批判理论与后批判理论对总体性、同一性、宏大政治等问题的思考,指向了一种既不消解差异又尊重差异的审美共同体范式。差异在当代批判理论的阐发中被赋予新的表述和内涵,朗西埃通过美学异托邦与歧感共同体的阐发,揭示了差异性感知的重构在审美共同体中的重要意义,这一思考路径为同时代的批判理论家开启了新的研究视角。阿甘本、奈格里、哈特、埃斯波西托拓展朗西埃的审美共同体思想,从不同向度阐发了构筑多元差异感觉共同体的可能性,共同推动了对当代政治与美学关系的思考。Consensus and difference is the ontological problem of aesthetic community.Contemporary critical theories develop the deconstruction of the grand narrative,totality and identity within the early and post critical theories,which points to a paradigm of aesthetic community with common feelings and perception on the basis of respect for differences and heterogeneity.The concepts of difference are given new expressions and connotations.Jacques Ranciere reveals the important mechanism of aesthetic community through the elucidation of aesthetic heterotopia and the community of ambiguity,providing new perspectives for Giorgio Agamben,Antonio Negri,Michael Hart,and Roberto Esposito.They advance Rancière’s critical thoughts of aesthetic community and expound the possibility of constructing a diverse aesthetic community from different perspectives,jointly promoting the contemplation of the relationship between contemporary politics and aesthetics.

关 键 词：当代批判理论 审美共同体 共识 差异 

分 类 号：B83-0[哲学宗教—美学]