黑格尔美学:马克思超越康德美学的桥梁——对李泽厚“康德→席勒→马克思”美学思路的补正  

Hegel’s Aesthetics:Marx’s Bridge Beyond Kant’s Aesthetics——Correction of Li Zehou’s Aesthetic Thought of“Kant-Schiller-Marx”

作　　者：范永康[1] Yongkang FAN(Shaoxing University)

机构地区：[1]绍兴文理学院人文学院

出　　处：《马克思主义美学研究》2023年第1期243-253,445,共12页Research on Marxist Aesthetics

基　　金：国家社科基金重大招标项目“马克思主义经典文艺思想中国化当代化研究”(17ZDA269)阶段性成果

摘　　要：李泽厚绕开黑格尔,构建了一个“康德→席勒→马克思”的人道主义美学传统,但事实上,黑格尔在此传统中发挥了重要的过渡功能。黑格尔从康德和席勒那里发现了“美是感性与理性的统一”“美是理念的感性显现”的理论渊源,再用一套严谨的客观唯心主义美学体系对之加以演绎和论证。马克思汲取了黑格尔的“感性与理性的统一”“内容与形式的统一”等美学思想,并在他的“劳动创造人”和“对象化”思想的启发下,创立了“自然的人化”和“人的本质力量对象化”的实践美学观,从而彻底突破了康德的先验唯心主义美学。本文用“康德→席勒→黑格尔→马克思”对李泽厚的美学思路进行补正,并在“去黑格尔化”的学术背景下,重申黑格尔美学的重要意义。Li Zehou bypassed Hegel and constructed a humanitarian aesthetic tradition of“Kant→Schiller→Marx”.In fact,Hegel played an important transitional role in this tradition.He found the theoretical origin of“beauty is the unity of sensibility and rationality”and“beauty is the sensual manifestation of ideas”from Kant and Schiller.Then,he interpreted and justified it with a rigorous system of objective idealist aesthetics.Marx drew on Hegel’s aesthetic ideas of“unity of sensibility and rationality”and“unity of content and form”,and inspired by his ideas of“labor creates man”and“objectification”,he created the practical aesthetics of“humanization of nature”and“objectification of man’s essential power”,thus breaking through Kant’s transcendental idealism aesthetics.This article uses“Kant→Schiller→Hegel→Marx”to correct Li Zehou’s aesthetic thinking,and reiterates the importance of Hegel’s aesthetics in the academic context of“de-Hegelianization”.

关 键 词：李泽厚 康德美学 黑格尔美学 马克思美学 

分 类 号：B83-0[哲学宗教—美学]