人文关怀与纪录片美学——电影《无臂七子》讨论纪要  

Humanistic Concern and Documentary Aesthetics:Discussion on the Film The Arms of Seven Men

作　　者：王杰[1] 金行征 司徒兆敦[2] 郑恬 陈文斌(整理)[4] 顾奕俊(整理) 劳逸峰(整理) 黄筱茜 朱玉杰 范秀娟[5] 李正火 周锋 史晓林 Wang Jie;Jin Xingzheng;Situ Zhaodun(Zhejiang University;Beijing Film Academy)

机构地区：[1]浙江大学传媒与国际文化学院 [2]北京电影学院导演系 [3]青岛电影学院 [4]浙江大学 [5]广西民族大学 [6]教育部全国中小学美育教学指导专业委员会 [7]浙江树人大学 [8]河南大学

出　　处：《马克思主义美学研究》2021年第2期667-682,746,共17页Research on Marxist Aesthetics

摘　　要：由导演金行征拍摄的纪录片《无臂七子》以七位无臂艺术家的日常生活作为叙述主线,结合无臂艺术家们创作的艺术作品及其突出特质,展现了国内部分残障人士特殊而丰富的生活状态,深入聚焦他们如何走出困境,重塑自我。诸多学者、艺术家等围绕《无臂七子》的艺术手法、思想内涵,以及与之相关的当代社会批判、人文关怀和纪录片美学等议题展开讨论。他们立足各自观影体验,充分肯定了《无臂七子》彰显出的美学价值与社会意义,敏锐地指出了当前社会中存在着的审美危机,并试图对相应问题做出回应。相关讨论还涉及当代人情感结构等重要命题,对推进当代艺术和美学研究起到借鉴作用。The documentary film The Arms of Seven Men by director Xingzheng Jin uses the daily routines of seven armless artists for the main narrative thread,combining the artworks created by the armless artists and their outstanding characteristics,showing the special living conditions of some disabled people in China,and focusing on how they can overcome their difficulties and reinvent themselves.Many scholars and artists discussed the artistic approach and ideological connotations of Men as well as the contemporary social criticism,humanistic care and documentary aesthetics related to it.Based on their individual viewing experience of the film,they affirmed its aesthetic value and social significance of The Arms of Seven Men.They pointed out the aesthetic crisis in the current society and considered the corresponding problems.The discussion also touches on important areas such as the emotional structure of contemporary people,and it serves as a reference for advancing contemporary art and aesthetic research.

关 键 词：《无臂七子》 人文关怀 纪录片美学 情感结构 

分 类 号：J952[艺术—电影电视艺术]