论卢卡奇《审美特性》的文艺反映论思想  

On Lukács’s Artistic Reflection Theory in Aesthetic Character

作　　者：郭芳丽 GUO Fangli(Yangtze Normal University)

机构地区：[1]长江师范学院文学院

出　　处：《马克思主义美学研究》2019年第2期377-392,632,共17页Research on Marxist Aesthetics

基　　金：国家社科基金重大项目“东欧马克思主义美学文献整理与研究”(15ZDB022)阶段性成果

摘　　要：《审美特性》是卢卡奇建构马克思主义美学体系的重要成果,集中体现了他以"人"为中心的文艺反映论思想。首先,卢卡奇在对"外化及其向主观的回复"的重新阐释中,从哲学层面强调了审美反映主客观统一的特质以及艺术与自我意识之间的关联。其次,在人本立场下展开对艺术作品的形式分析,他深入阐发了艺术作品自身世界的普遍人道主义原则和同质媒介原则。最后,他以"陶冶"概括艺术作为生活方式对于人的引导和塑造,尤其是艺术在人向"人的整体"的转化过程中的作用,侧重于对审美体验转化为伦理实践的思考,突出了审美情感的伦理价值和意义。Aesthetic Character is an important achievement of Lukacs’s construction of a Marxist aesthetic system,which embodies his thoughts on literary and artistic reflection with a"human center".Firstly,Lukacs emphasized the unification of objective and subjective in aesthetic reflection and the relationship between art and self-consciousness from a philosophical perspective.Secondly,he analyzed the form of artistic work from the perspective of humanitarianism,and explained in depth the universal humanitarian principle and the principle of homogeneous media in artistic work.Finally,he summarized the function of art in shaping and guiding people.He focused on the transformation of aesthetic experience into ethical practice and highlighted the ethical value and significance of aesthetic emotion.

关 键 词：卢卡奇 《审美特性》 文艺反映论 人道主义 

分 类 号：A811[哲学宗教—马克思主义哲学] B83-0