权力的可视性:视觉政治与图像生产  

The Visibility of Power:Visual Politics and Image Production

作　　者：漆飞[1] QI Fei(Lanzhou University)

机构地区：[1]兰州大学文学院

出　　处：《马克思主义美学研究》2019年第2期326-341,629-630,共18页Research on Marxist Aesthetics

基　　金：国家社科基金重大项目“当代美学的基本问题及批评形态研究”(15ZDB023)阶段性成果

摘　　要：视觉政治是当代感觉政治/感知政治中的重要维度,无论是主观感觉的构成结构还是感知方式的表达,都彰显着社会性的生成因素与政治性的运作机制。当审美消费成为文化经济社会的重要驱动力时,符号文化经济时代的降临成为可能。资本的审美化与审美的资本化构成了当代文化经济社会的双向性逻辑,资本由此成为衡量并支配审美获得的一个关键性因素,注入技术的视觉现代化进程催生出新的图像生产范式。新型媒介与视觉机器凭借其鲜活的表现形式与强劲的生产动能不断地进行图像生产与再生产。图像、语象、景观、拟象等多重视觉符号构成视觉政治的表征系统,视觉技术演变为驾驭图像审美特性与观看方式的关键要素。在审美资本与视觉技术的浸润下,视觉政治的表达机制与图像生产聚焦于权力的可视性,由此极大地改写并重塑当代人的感知体验方式与情感结构。As an important aspect of contemporary sensory politics,visual politics from the subjective perception of the structure and the perception of the expression of the mechanism,both expose the social factors of generation and the political operation mechanism.Especially when aesthetic consumption becomes an important driving force of cultural and economic society,the era of the symbolic cultural economy becomes possible.The aestheticization of capital and the capitalization of aesthetics constitute the two-way logic of contemporary society.Capital has become a key factor to measure and dominate aesthetic acquisition.The process of visual modernization along with technology has cultivated a new image production paradigm.New media and visual machines constantly produce and reproduce images on the base of its new way of expression and production.Multiple visual symbols such as images,spectacles and simulacra constitute a visual political representation system.Visual technology has become a key element regulating aesthetic characteristics and the way of seeing.With the influence of aesthetic capital and visual techniques,the expression mechanism of visual politics and image production is concentrated on the visibility of power,transforming remarkably the perceptual experience and emotional structure of contemporary people.

关 键 词：审美资本 视觉政治 图像生产 法国左翼 当代美学 

分 类 号：D0[政治法律—政治学] B83-0[哲学宗教—美学]