贝纳尔多与基督教艺术  

St.Bernard and Christian Art

作　　者：杨道圣 YANG Daosheng(School of Fine Art,Beijing Institute of Fashion Technology)

机构地区：[1]北京服装学院美术学院

出　　处：《基督教文化学刊》2022年第1期202-224,共23页Journal for the Study of Christian Culture

摘　　要：修会与艺术之间的关系目前是基督教艺术史研究的一个热点。修会在艺术史中的重要性是随着修会的改革而产生的。10世纪的修会改革以克吕尼修会(Cluniac)为代表,强调恢复圣本笃(St.Benedict)制定的《圣本笃会规》(The Rule of St.Benedict)的基本精神,摆脱世俗贵族包括主教对修道院的支配和影响。The thesis discusses the establishment of monastic art standards set by St.Bernard,an abbot of a medieval monastery,through an analysis of the context of an oft-quoted passage from Bernard’s classic text on art,“A Defense of Abbot William.”His opposition to the construction of the ornate Gothic church by Abbot Suger of St.Denis was an objection to the monastic abuse of art,not to its use by the Church.St.Bernard’s views led to the formation of a particular Cistercian style of art.The thesis further analyzes the portrayal of the medieval Madonna under Bernard’s influence,as well as artworks based on his own life,miracles,and visions.These analyses conclude by showing that this saint,who was considered as an opponent of visual art,had a significant impact on the history of Christian visual art.

关 键 词：修会 基督教艺术 艺术史研究 修道院 本笃会 

分 类 号：B978[哲学宗教—宗教学] J19[艺术—艺术理论]