列维纳斯、德里达与布朗肖:历史沉默深处,或历史之外的见证  

Levinas,Derrida and Blanchot:Testimony,in the Depth of the Silence of History,or Beyond History

作　　者：汪海[1] 柳博赟[2] WANG Hai;LIU Boyun(School of Liberal Arts,Renmin University of China;School of Translation and Interpreting,Beijing Language and Culture University)

机构地区：[1]中国人民大学文学院 [2]北京语言大学高级翻译学院

出　　处：《基督教文化学刊》2022年第1期1-42,共42页Journal for the Study of Christian Culture

基　　金：国家社会科学基金项目“后世俗时代的解构主义宗教观研究”(项目编号17BZJ010)的资助;北京语言大学院级科研项目(中央高校基本科研业务专项资金资助)资助,项目编号为22YJ020001.

摘　　要：书写的人无法撇开艰难的职责。确切地说,今天,书写者应该服务的不是历史的制造者,而是历史的承受者。——加缪,1957年诺贝尔文学奖晚宴致辞①书写,当然,就意味着放弃,放弃联系,放弃姓名,同时又不是放弃,而是宣告,欢迎那不在场的,却又意识不到那不在场者——或者,通过文字,在文字内含的缺席中,书写成为与无法记忆之物的联系。Since World War II,the crisis of testimony has always been an important and challenging problem in legal,political,and historical research.The rise of witness literature,the theme of which is explicitly or implicitly Holocaust,becomes an important opportunity for contemporary thoughts to reflect on the inherent limits,or the blind spots,of historical thinking,regarding the issue of testimony.It also revives the religious and poetic dimensions of the concept of testimony,which have been repressed or even erased by positivism in secular modernity.By analyzing Levinas’critique of history,Derrida’s explanation of the compossibility between witness and literature,and Blanchot’s discussion on the paradoxical relations among literature,memory,and forgetting,this paper argues that literature and art witness the unexperienced in the depth of silence of history,or,beyond history,and guard the non-relational relation with the immemorial.

关 键 词：诺贝尔文学奖 加缪 列维纳斯 书写者 德里达 承受者 布朗肖 

分 类 号：I106[文学—世界文学]