基于美学视角探析重庆建川博物馆藏刺绣荷包  

An Analysis on Embroidery Purse in Jianchuan Museum of Chongqing from the Perspective of Aesthetics

作　　者：高晶晶 GAO Jing-jing(Chongqing Normal University,Chongqing 400000)

机构地区：[1]重庆师范大学,重庆400000

出　　处：《黑龙江纺织》2022年第4期32-35,共4页Heilongjiang Textiles

摘　　要：刺绣荷包是兼具审美价值和实用价值于一体的传统民间手工艺品,“抗战胜利、革命成功”刺绣荷包因其鲜明的时代特色被重庆建川博物馆视作抗战文物所收藏,其色彩、造型等审美特征鲜明,它是蜀地百姓美好愿景的物质载体,也是宣传抗战精神、凝聚民族抗战力量的有效方式,更是广大劳动人民抗战行为的具体表现。运用美学相关理论对其深入探索,不仅有助于我们了解抗战时期民间工艺品的艺术特征,还可以透析巴蜀地区的社会文化和当地人民群众的思想意识。Embroidered handbags are traditional folk handicrafts with both aesthetic and practical values.The"victory in the war of resistance against Japan and success in the revolution"embroidered handbags are collected by Chongqing Jianchuan Museum as anti Japanese War relics because of their distinctive characteristics of the times.Their colors,shapes and other aesthetic characteristics are distinctive.They are the material carrier of the people’s beautiful vision in Sichuan,and also a political means to publicize the spirit of the war of resistance and unite the national anti Japanese forces,It is also a effective way of the broad masses of working people’s Anti Japanese War behavior.The application of aesthetic theories to its in-depth exploration will not only help us understand the artistic characteristics of folk handicrafts during the Anti Japanese War,but also analyze the social culture of Bashu region and the ideology of the local people.

关 键 词：美学视角 建川博物馆 刺绣荷包 

分 类 号：TS935.1[轻工技术与工程] TS959.9