强势外来文化与本土音乐传统——法国巴洛克音乐与意大利音乐的关系态势及现代启示  

Strong Foreign Culture and Local Musical Tradition:the Historical Situation and Modern Inspiration of the Relationship between French and Italian Music in Baroque Period

作　　者：孙红杰[1] Sun Hongjie

机构地区：[1]上海师范大学音乐学院音乐学系,上海200234

出　　处：《北方音乐》2022年第2期71-82,共12页Journal of the Northern Music

基　　金：国家“双一流”高校与上海高水平地方高校创新团队“音乐学理论研究”(上海音乐学院)建设阶段成果

摘　　要：西方音乐在中国的渗透性传播,深刻影响了中国的音乐生态和音乐传统。它所具有的“强势”程度,非中国历代外来音乐所能相比,因而,在面对西方音乐时,我们自身的历史经验似有不足。詹姆斯·安东尼的《法国巴洛克音乐》,为我们从西方音乐自身的发展中观察其对应强势外来文化的经验和方法,提供了有益的参考。它讲述了一个半世纪的法国音乐如何接受并超越强势意大利音乐的影响。文章依托该书,围绕巴洛克时期法国和意大利音乐的关系问题,评述了它的政治-社会背景,它所塑形的体裁-风格面貌,以及它在三位重要作曲家身上的体现,继而结合西方历史经验与中国现实境况,提出了处理中、西方音乐关系的建议和主张。The penetration of Western music in China has profoundly affected the cultural environment and local tradition of China’s music.Such an impact is much stronger than that of foreign music in Chinese history.The French Baroque Music by James R.Anthony,which tells the story of how French Baroque music embraced and surpassed the influence of strong Italian music,provides us a useful reference to observe the experience of Western music itself coping with strong foreign cultures in history.Relying on this book,this article focuses on the relationship between French and Italian music in the Baroque period,commenting on its political-social background,the genre-style appearance it shaped,its embodiment in three important composers,and its enlightenment in regarding with the relationship between Chinese and Western music today.

关 键 词：巴洛克 外来文化 本土传统 法国 意大利 

分 类 号：J609.1[艺术—音乐]