关于“舞”、“剧”相融的思考——有感于尤涅斯库“纯戏剧论”浅谈中国舞剧状况  

A brief talk on Chinese Dance Drama state——Inspired by Eugene Ionesco' s "Theory of Pure Drama

作　　者：高奎玉[1] 

机构地区：[1]德州学院音乐系,山东德州253015

出　　处：《德州学院学报》2004年第3期97-99,共3页Journal of Dezhou University

摘　　要：“戏剧就是戏剧”,是尤涅斯库为了强调戏剧形式本体的地位而提出的重要论断。“他山之石,可以攻玉”,这一西方戏剧理论启发了笔者对中国舞剧创作中长期存在的一些问题的思索。本文集中对中国舞剧中舞蹈语言与剧作文本二元分立的现象展开评析,提出打破这种二元关系,尊重舞蹈自身的艺术特性,对建立中国舞剧的独立品质具有重要意义。'Drama is for drama's sake' is Eugene Ionesco's viewpoint which emphasizes the importance of the style of drama form. Inspired by western theory on drama of 'There are other hills where stones are good for working jade', the author thinks about the problems of the Chinese drama creation. The paper is mainly on the phenomenon that drama language and drama script are seriously separated in Chinese dance drama, suggesting that this phenomenon should be changed, the artistic feature of the drama should be respected which is significant for shaping the individual feature of Chinese dance drama.

关 键 词：尤涅斯库 “纯戏剧论” 中国舞剧 舞蹈语言 文学文本 

分 类 号：J722[艺术—舞蹈]