碑学与帖学书风刍议  

Discussion on the Calligraphic Style of Copybooks and Inscriptions

作　　者：李云[1] 

机构地区：[1]河南机电高等专科学校艺术设计系,河南新乡453002

出　　处：《河南机电高等专科学校学报》2007年第6期111-112,共2页Journal of Henan Mechanical and Electrical Engineering College

摘　　要：中国书法自晋以来,就以二王为主流派的帖学书风占主导地位,视为书法正宗。而在清中叶,随着金石学的兴起,书法经历了一场艰难的蜕变,碑学书风越来越受到书者的重视,故而在书法界掀起了碑学与帖学的争议。文中重点阐述碑学与帖学书风的风格差异,从其概念及特点进行较为深入的分析,以证明碑学与帖学在书法发展史中应具有的位置。Since the Jin Dynasty,copybooks for calligraphy mainly by WangXizhi and WangXianzhi played the leading role in the calligraphic world.In the mid-period of the Qing Dynasty,as the development of inscriptions on the stone,there was a hard change in the history of calligraphy.Then the style of inscriptions was gradually highly valued and consequently there surged a dispute about the two different calligraphic styles.This paper mainly illustrates the stylish differences between them from the aspects of their concepts and characteristics,so that a clear idea can be given about their respective value.

关 键 词：碑学 帖学 书风 

分 类 号：J292[艺术—美术]