“奴隶叙事”与黑非洲的战神奥冈——论沃勒·索因卡诗歌创作的后殖民性  

Slave Narration" and God of War of the Black Africa:Ogun On the Post-Colonial Feature of Soyinka's Poetry

作　　者：宋志明[1] 

机构地区：[1]北京师范大学汉语文化学院

出　　处：《外国文学研究》2003年第5期113-118,共6页Foreign Literature Studies

摘　　要：沃勒·索因卡的诗歌创作本质上是一部“奴隶叙事”,充满了殖民地作家的反抗精神 ,具有显著的后殖民性。索因卡是一个文化“混血儿”,他的诗歌作品是双重文化的混合 ,来源于西方现代诗歌传统和非洲殖民地的社会文化现实。索因卡是矛盾的 ,他在进行文化反抗的同时 ,也表现出浓厚的悲观主义倾向。Soyinka's poetry is, in essence, a matter of 'Slave Narration,' which is full of colonial writers' spirit of revolt, bearing striking features of post-colonialism. Soyinka is a cultural 'baster,' whose poetic works are results of combination of dual cultures from the tradition of modern western poetry and the social and cultural reality of African colonies. Soyinka is in a dilemma in that, while undergoing a cultural revolt, he presents deep disposition of pessimism.

关 键 词：索因卡 诗歌创作 后殖民性 "奴隶叙事" 文化反抗 

分 类 号：I4[文学—其他各国文学]