论梁启超“新史学”对民国时期美术史研究的影响  

On Liang Qichao’s Neo-historiography and Its Influence on the Research of the History of Fine Arts in the Era of Republic of China

作　　者：乔志强[1] 

机构地区：[1]浙江大学中国艺术研究所,浙江杭州310028

出　　处：《贵州大学学报（艺术版）》2004年第2期11-15,共5页Journal of Guizhou University Art Edition

摘　　要：梁启超在历史进化论的基础上构筑的“新史学”理论 ,迎合了当时社会及学术文化发展的需要 ,影响越出史学界而成为一股社会性的文化思潮。民国时期的美术史研究在历史观、方法论及叙事方式等层面 ,都受到梁启超“新史学”直接或间接的影响 ,“新史学”宣扬的历史进化论的观念 。Liang Qichao put forward the theory of noehistoriography on the basis of historical evolutionism. The theory catered for the requirement of the society and the development of science and culture. It was far beyond the field of historiography and became social and cultural trends of thought. The research of the history of fine arts in the era of Republic of China was directly or indirectly influenced by Liang’s theory in the outlook of history, science of methods and narration. The viewpoint of historical evolutionism from Liang’s theory is the theoretical foundation used by many scholars to paraphrase the history of the development of Chinese fine arts.

关 键 词：民国时期 梁启超 新史学 进化论 美术史 美术分期 

分 类 号：J120.9[艺术—艺术理论]