试论《周易》象思维对石涛山水画的影响  

Influence of Image Thinking of the Zhouyi upon SHI Tao's Landscape Paintings

作　　者：马麟春[1] 

机构地区：[1]山东艺术学院美术学院,山东济南250014

出　　处：《周易研究》2009年第2期80-85,共6页Studies of Zhouyi

摘　　要：象思维是中华民族的传统思维,深深影响着中国文化。《周易》蕴含着丰富的象思维,可以分为观物取象、立象尽意、得意忘象三个层面。中国画作为中华传统文化的典型代表,深受中国哲学的影响。石涛是清初著名画家,以擅长山水画闻名于世。他的画论《苦瓜和尚画语录》和其题画诗清晰地展现了其山水画深受《周易》象思维的影响,认为"画者形天地万物"、"画者从于心者也"、"不似似之当下拜"。石涛山水画创作的这个过程与《周易》象思维的三个层面是一致的。As traditional Chinese thinking,image thinking has been exerting great impact on Chinese culture. The Zhouyi conceives abundant elements of image thinking which can be divided into three levels-abstracting images through contemplation on things and events,establishing images to fully expose the idea,and forgetting images once the idea has been achieved. As a typical representative of traditional Chinese culture,Chinese paintings have been deeply influenced by Chinese philosophy. A celebrated painter in the ...

关 键 词：象思维 石涛 中国画 观物取象 立象尽意 得意忘象 

分 类 号：B221[哲学宗教—中国哲学]