老挝克木鼓的纹饰内涵与稻作文化  

On the Connotation of the Ornamentation on Khmua Bronze Drums and Rice Farming Culture in Laos

作　　者：韦丹芳[1,2] 

机构地区：[1]广西民族大学民族学与社会学学院 [2]科技史与科技文明国家哲学社会科学创新基地南方工作站

出　　处：《广西民族大学学报（哲学社会科学版）》2009年第3期102-107,共6页JOURNAL OF GUANGXI MINZU UNIVERSITY:PHILOSOPHY AND SOCIAL SCIENCE EDITION

基　　金：国家社科基金(03BMZ016);广西民族大学青年基金"老挝克木鼓调查研究"(2007QN07);中国南方与东南亚民族研究创新团队项目

摘　　要：通过实地调查和民族志资料,对老挝克木鼓纹饰的文化内涵进行阐释。认为其是农耕文化的产物,与稻作文化密切相关。克木人以鼓面光体为中心,构建了一个由纹饰组成的神圣的求雨空间。正是透过此空间,克木人在农耕生产中建构了其与神灵的沟通。This paper discusses the connotation of the ornamentation on bronze drums in Khmua of Laos by relying on field study and ethnographical documents.The author holds that it is the result of farming culture,and that it is closely related to rice farming culture.People in Khmua,taking the star of bronze drum as the centre,build a sacred space with ornamentation for praying for rain.Through this space,they have constructed the communication with the spirits in farming.

关 键 词：老挝 铜鼓 纹饰内涵 稻作文化 克木族 

分 类 号：C955[社会学—民族学]