也谈《秧歌》与《赤地之恋》  

Also about the Yangge Dance,and Love of the Red Land

作　　者：张艳艳[1] 

机构地区：[1]汕头大学文学院,广东汕头515063

出　　处：《华文文学》2008年第3期21-29,共9页Literatures in Chinese

摘　　要：文章梳理学界对《秧歌》与《赤地之恋》争讼不已的评价,试图将两部作品放置于张爱玲整体的人生轨迹、生命体认与文学世界图志的大格局中,探讨张爱玲的文学世界中为什么会出现如此姿态的作品,而两部作品与张爱玲主调性的文学观念与人生体认之间的关系如何?其文体特质在绚烂衬素朴的张式语体中是否意味着成熟而合情合理的转折?由此见出两部作品的个中曲折。This article reviews the criticism on Eileen Chang's The Yangge Dance, and Love of the Red Land, and contextualizes the two works within her life and experience as well as the world literary map, so as to discover reasons for her creation of such works, and to answer the following two questions: how are the two works related to Chang's essential literary concepts and her life experience, and is her unique style of combining colorfulness and plainness a sign of maturity or a reasonable turn? The questions reflect the complexity of the two works.

关 键 词：题材 政治意识 文学观念 生命体认 生存 

分 类 号：I207.4[文学—中国文学]