20世纪中国大众文学的流转与裂变  

The Move and Fission of China's Popular Literature in the 20th Century

作　　者：付瑞珍[1] 张世岩[2] 

机构地区：[1]河北石油职业技术学院,河北廊坊065000 [2]河北邯郸职业技术学院,河北邯郸056001

出　　处：《河北学刊》2007年第4期162-164,共3页Hebei Academic Journal

摘　　要：在20世纪,中国大众文学兴起的背后总有一定的政治动因;另一方面,大众文学又常常被视为文坛的另类,受到正统文学的挤压而被边缘化。后新时期的大众文学出现了四个方面的裂变,即受众的普遍化、生产的工业化、载体的传媒化、品格的时尚化,这些裂变也可以表述为消费的社会化、生产的商业化、文学的娱乐化、审美的生活化。这些变化促使大众文学演变成一种典型的文化产业。There are always some political reasons behind each rise of popular literature in the 20th century.In another sense,popular literature is suppressed by orthodox literature.The popular literature in the post new period has four fissions of readers to popularization,production to industrialization,carriers to media and style to fashion,which are also described as consumption to socialization,production to commercialization,literature to entertainment and aesthetic taste to living orientation,so popular literature has become a typical cultural industry.

关 键 词：20世纪 大众文学 裂变 

分 类 号：I206.6[文学—中国文学] I206.7