从民间小戏看乡土社会的民众意识——以太原秧歌为例  

A Study on the Public Awareness Based on the Folk Drama——Take the Taiyuan Yangge as Example

作　　者：牛刚花[1] 陈继华[1] 

机构地区：[1]山西师范大学戏曲文物研究所,山西临汾041004

出　　处：《山西农业大学学报（社会科学版）》2007年第5期104-105,108,共3页Journal of Shanxi Agricultural University:Social Science Edition

摘　　要：有着浓郁地方特色的民间小戏,往往包含着深层的历史文化内蕴,反映着一地的社会民众意识。太原秧歌是产生于古太原县一带的乡土艺术,涵盖了农村生活的风俗人情,民俗文化,虽几近灭亡,但其社会历史价值不容忽视。以太原秧歌为例,从这一特殊的文化载体来看民间小戏与当地社会民众意识的相依互存关系。The folk drama contains deep historical and cultural connotation,reflecting the social popular consciousness.As a kind of country art originating from the ancient Taiyuan county,Taiyuan yangge mirrors the custom and culture of country life.Despite on its verge of disappearance,it can never be ignored on its social historical value.This paper explores the special cultural carrier taking Taiyuan yangge as an example in order to analyze the co-existential and interdependent relationship between the folk drama and local social popular conciseness.

关 键 词：民间小戏 太原秧歌 乡土社会 民众意识 

分 类 号：I23[文学—中国文学]